https://robbyherbst.com Robby Herbst Wed, 14 Feb 2024 16:51:50 +0000 https://robbyherbst.com en https://robbyherbst.com/Home Tue, 13 Feb 2024 19:03:25 +0000 Robby Herbst https://robbyherbst.com/Home Robby Herbst is an interdisciplinary artist and critical writer.&nbsp;He uses and investigates avant garde paradigms to expand cultural imaginations.&nbsp;Politics, language, ideology: the ways it manifest in bodies as expression, movements, sociality, history, and action.He is the instigator of the geographically sited critical-landscape projects of the Llano Del Rio Collective. Their 2021 collaboration with the Los Angeles Poverty Department premiered at Los Angeles’ Museum of Contemporary Art. He is a co-founder and former editor of the Journal of Aesthetics &amp; Protest. In 2016 he completed the public project New New Games a series of tournaments and events held in California's Bay Area with the support of Southern Exposure and the Headlands Center For The Arts. A concurrent exhibition of drawings related to&nbsp; New New Games was held at Commonwealth &amp; Council gallery in Los Angeles. With artist Elana Mann he co-organized Chats About Change; a series of encounters addressing social change and social practice in Los Angeles. Other past exhibitions include I + We: Collective Movement Workshop (Human Resources, 2014), Utopias of SoCal (Santa Monica Museum of Art, 2014), New Pyramids For the Capitalist System ​(Dumbo Arts Center, 2012), and Blockades with Collaborators (David Patton, 2009).He’s been awarded grants from the Graue Foundation, The Andy Warhol Foundation for artwriting, The Mike Kelley Foundation, The Danish Arts Council, and the Durfee Foundation. He has been an artist in residence at the Headlands Center For the Arts, Villa Montalvo, and Provisions Library.A former columnist for KCET TV's award winning program Artbound, he’s contributed essays to art catalogs, books, and magazines.He has lectured internationally on radical aesthetics, action, and creative practices. He's taught: Community Art/Social Practice at CSULA; Drawing, Research Based Art Practice, and Art And Cybernetics at Harvey Mudd College; New Genres Art at USC; Interdisciplinary Art at Goddard College: and curation at Otis College of Art and California State University Los Angeles. https://robbyherbst.com/About Mon, 12 Feb 2024 16:23:35 +0000 Robby Herbst https://robbyherbst.com/About Robby Herbst is an interdisciplinary artist and critical writer who uses and investigates avant garde paradigms to expand cultural imaginations.Politics, language, ideology: the ways it manifest in bodies as expression, movements, history, and action.He is the instigator of the geographically sited critical-landscape projects of the Llano Del Rio Collective. Their recent collaboration with the Los Angeles Poverty Department premiered at Los Angeles’ Museum of Contemporary Art. He is a co-founder and former editor of the Journal of Aesthetics &amp; Protest. In 2016 he completed the public project New New Games a series of tournaments and events held in California's Bay Area with the support of Southern Exposure and the Headlands Center For The Arts. A concurrent exhibition of drawings related to&nbsp; New New Games was held at Commonwealth &amp; Council gallery in Los Angeles. With artist Elana Mann he co-organized Chats About Change; a series of encounters addressing social change and social practice in Los Angeles. Other past exhibitions include I + We: Collective Movement Workshop (Human Resources, 2014), Utopias of SoCal (Santa Monica Museum of Art, 2014), New Pyramids For the Capitalist System ​(Dumbo Arts Center, 2012), and Blockades with Collaborators (David Patton, 2009).He has been awarded grants from the Graue Foundation, The Andy Warhol Foundation for artwriting, The Mike Kelley Foundation, The Danish Arts Council, and the Durfee Foundation. He has been an artist in residence at the Headlands Center For the Arts, Villa Montalvo, and Provisions Library.He was a columnist for KCET TV's award winning program Artbound, and contributed essays to art catalogs, books, and magazines.He has lectured internationally on radical aesthetics, action, and creative practices. He's taught: Community Art/Social Practice at CSULA; Drawing, Research Based Art Practice, and Cybernetics and Art at Harvey Mudd College; New Genres Art at USC; Interdisciplinary Art at Goddard College: and curation at Otis College of Art and California State University at Los Angeles. CV Portfolio Writing Samples https://robbyherbst.com/Header Wed, 14 Feb 2024 14:51:36 +0000 Robby Herbst https://robbyherbst.com/Header Critical Practice Art and curatorial projects which programmatically&nbsp; examine cultural and political phenomena. https://robbyherbst.com/New-New-Games Wed, 14 Feb 2024 15:22:55 +0000 Robby Herbst https://robbyherbst.com/New-New-Games <img width="1500" height="796" width_o="1500" height_o="796" data-src="https://freight.cargo.site/t/original/i/04fa82ea4f8c165bbc9e23e8e8939291aaa97a43bd9b331cf44eb76dd04a087a/cropped-nng-webbanner-10.jpg" data-mid="204637297" border="0" src="https://freight.cargo.site/w/1000/i/04fa82ea4f8c165bbc9e23e8e8939291aaa97a43bd9b331cf44eb76dd04a087a/cropped-nng-webbanner-10.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/bd11dcb1b97013cbf7e922009b8ad067d34f58e17f03c21536caf6521f3b40a4/159_Headlands-Center-for-the-Arts062616_AndriaLo.jpg" data-mid="204637296" border="0" src="https://freight.cargo.site/w/1000/i/bd11dcb1b97013cbf7e922009b8ad067d34f58e17f03c21536caf6521f3b40a4/159_Headlands-Center-for-the-Arts062616_AndriaLo.jpg" /> <img width="1921" height="1281" width_o="1921" height_o="1281" data-src="https://freight.cargo.site/t/original/i/9cba58448216635d4c7f5d84f970ce162088f0c6cfc23a105bc70a79f2d6ea66/3.EBall1.jpg" data-mid="204637301" border="0" src="https://freight.cargo.site/w/1000/i/9cba58448216635d4c7f5d84f970ce162088f0c6cfc23a105bc70a79f2d6ea66/3.EBall1.jpg" /> <img width="1920" height="1090" width_o="1920" height_o="1090" data-src="https://freight.cargo.site/t/original/i/e61e7c1bec64da2972d67fef3da3b8535c9d9399d32c11f163e87e85f3d5eef7/Great-Transformer-5.jpg" data-mid="204637298" border="0" src="https://freight.cargo.site/w/1000/i/e61e7c1bec64da2972d67fef3da3b8535c9d9399d32c11f163e87e85f3d5eef7/Great-Transformer-5.jpg" /> <img width="1280" height="1599" width_o="1280" height_o="1599" data-src="https://freight.cargo.site/t/original/i/de9a2d2cb5b205890ac5b48821099e42ef730b9ba3a0ae9857e9f15e16219cd8/4.Grabstercomp.jpg" data-mid="204637304" border="0" src="https://freight.cargo.site/w/1000/i/de9a2d2cb5b205890ac5b48821099e42ef730b9ba3a0ae9857e9f15e16219cd8/4.Grabstercomp.jpg" /> <img width="1920" height="1090" width_o="1920" height_o="1090" data-src="https://freight.cargo.site/t/original/i/fec4c29d3e485c83f00c550bd2cb12bf36fd03d9a1aa9f2781f54f3b3958e859/Great-Transformer-1.jpg" data-mid="204637303" border="0" src="https://freight.cargo.site/w/1000/i/fec4c29d3e485c83f00c550bd2cb12bf36fd03d9a1aa9f2781f54f3b3958e859/Great-Transformer-1.jpg" /> <img width="960" height="696" width_o="960" height_o="696" data-src="https://freight.cargo.site/t/original/i/9ad3c0bd7a1928d6f2cddd1367e4c51e29a804043771606261a898889b913ec9/14237475_10209032447261950_2042899767939407575_n.jpg" data-mid="204637299" border="0" src="https://freight.cargo.site/w/960/i/9ad3c0bd7a1928d6f2cddd1367e4c51e29a804043771606261a898889b913ec9/14237475_10209032447261950_2042899767939407575_n.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/1d7fb5a7be682d0410cf9b7385767d2d9592eda3f6b56e30cd89de09b3a62e2e/IBG_7389.jpg" data-mid="204637302" border="0" src="https://freight.cargo.site/w/1000/i/1d7fb5a7be682d0410cf9b7385767d2d9592eda3f6b56e30cd89de09b3a62e2e/IBG_7389.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/fc032654f588a69c1014510fa3527c856233974947e080e446e583a1dc4f1148/IBG_7430.jpg" data-mid="204637300" border="0" src="https://freight.cargo.site/w/1000/i/fc032654f588a69c1014510fa3527c856233974947e080e446e583a1dc4f1148/IBG_7430.jpg" /> New New Games (2015)What is the relationship between game-play and the ideologies surrounding creativity and work?New New Games is a participatory artwork by Robby Herbst exploring the democratic and generative New Games spirit and its legacy, sponsored by Southern Exposure, the Graue Foundation, and the Headlands Center For The Arts, It took the form of a publication, a series of public talks, and two distinct play events in the Bay Area. The New New Games website contains a complete archive of the project and pdf of the publication.New Games Re:Play was a reunion and festival of the original New Games community, developed in collaboration foundational members of the New Games community. It took place on June 26, 2016 at the Headlands Center for the Arts, adjacent to the Gerbode Valley, the site of the original 1973 New Games Tournament.Watch here.Warehousing People, developed as a part of New New Games, 2016. Documentation by Ian Byers-Gamber.In this game, there are two teams. The first are those set to be ware- housed; the second are those doing the warehousing.If you are a warehouse worker, your job is to organize the warehouse. You will lift and safely stack people into stacking crates. Your job is to try and make the stacks of people as neat as possible.If you are being warehoused, congratulations. You are surplus. You have two options. One situation will find you transformed into an inmate. You will be stored by the prison industrial complex in a correctional facility not of your choosing. The second situation finds you as an unemployed member of society. You will find your own means of storage, perhaps in a home, although you will find it increasingly difficult to maintain this shelter due to lack of funds.In either case, your labor has been outsourced thanks to the creative work of engineers and technicians. You may thank your elders (par- ents, grandparents, great grandparents, etc.) for finding themselves in a wage–for–labor relationship, in which you now are not currently needed. There are several rational options for someone in your po- sition to consider. They include suicide, prostitution, madness, cre- ative expression, and entrepreneurialism. Ironically, entrepreneur may be the most socially acceptable term to describe your current condition, because if you got nothing, you best start figuring out how to make it something. Either way, as surplus you’ll spend a lot of time not doing much. For the warehoused, it may simply be your game to endure. See also: Drawings, Performance, Sculpture https://robbyherbst.com/Chats-About-Change Wed, 14 Feb 2024 15:22:18 +0000 Robby Herbst https://robbyherbst.com/Chats-About-Change Chats About Change: Critical Conversations on Art and Politics in Los Angeles (2015)Cal State LA — January 15, 2015Los Angeles Contemporary Exhibitions (LACE) — January 17, 2015(many details to follow)Chats About Change: Critical Conversations on Art and Politics is five conversations addressing contemporary themes creative practitioners are developing in Los Angeles today. Organized by artists Elana Mann and Robby Herbst, the conversations will explore ways individuals, at times labeled “artists” and “organizers,” are seeking alternative futures. The event will take place at California State University Los Angeles, “The people’s university,” and at Los Angeles Contemporary Exhibitions (LACE), the innovative contemporary arts institution. Assemblies will be structured around the problematics surrounding participation, creative dissonance, spirituality, professional-hybridization, and the politics of land in a session co-organized with Sandra de la Loza. Chats About Change asks questions, wages debates, and strengthens community among people seeking experimental ways to affect Southern California.chatsaboutchangela.orgARTBOUND COVERAGE OF EVENTEvent Preview ArticleEvent Roundup 1Event Roundup 2Event Roundup 3 See also:&nbsp;Race Art &amp; Survival: Michelada Think Tank &amp; Chats About Change https://robbyherbst.com/Race-Art-Survival Wed, 14 Feb 2024 15:22:54 +0000 Robby Herbst https://robbyherbst.com/Race-Art-Survival <img width="500" height="330" width_o="500" height_o="330" data-src="https://freight.cargo.site/t/original/i/8a0c742ed14a69f5a32f956d1c0f9e7cada0bfc381c2e92f64fbf57c0c2d01e7/MTT_main_2.jpg" data-mid="204637247" border="0" src="https://freight.cargo.site/w/500/i/8a0c742ed14a69f5a32f956d1c0f9e7cada0bfc381c2e92f64fbf57c0c2d01e7/MTT_main_2.jpg" /> <img width="5000" height="3328" width_o="5000" height_o="3328" data-src="https://freight.cargo.site/t/original/i/2306666323b9ff3baa9b9bd301f34f18db1c865a8f6ab045bc6eaaacd80dfa0a/Michi_-89_o.jpg" data-mid="204637248" border="0" src="https://freight.cargo.site/w/1000/i/2306666323b9ff3baa9b9bd301f34f18db1c865a8f6ab045bc6eaaacd80dfa0a/Michi_-89_o.jpg" /> <img width="648" height="431" width_o="648" height_o="431" data-src="https://freight.cargo.site/t/original/i/701d6d8b8345e25c32bebc865ac0ae60446c0ae0c782787b4947ef7572e737d8/MTT_5.jpg" data-mid="204637249" border="0" src="https://freight.cargo.site/w/648/i/701d6d8b8345e25c32bebc865ac0ae60446c0ae0c782787b4947ef7572e737d8/MTT_5.jpg" /> <img width="648" height="408" width_o="648" height_o="408" data-src="https://freight.cargo.site/t/original/i/e9300936f7d063fe34f20967e7519c31942fb4e2ef3c8f67d9add88534ffc46e/MTT_2.jpg" data-mid="204637246" border="0" src="https://freight.cargo.site/w/648/i/e9300936f7d063fe34f20967e7519c31942fb4e2ef3c8f67d9add88534ffc46e/MTT_2.jpg" /> <img width="500" height="333" width_o="500" height_o="333" data-src="https://freight.cargo.site/t/original/i/ea08d10c76cf8ce33d4c735c00c0c4f93eb75f38f3f22fe5c96c2e97122d8477/MTT_3-1.jpg" data-mid="204637245" border="0" src="https://freight.cargo.site/w/500/i/ea08d10c76cf8ce33d4c735c00c0c4f93eb75f38f3f22fe5c96c2e97122d8477/MTT_3-1.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/c987c7dd6ad5e04830bd411967704c2fa05acbcc8e1c3fc5be74f2537638948f/FullSizeRender1.jpg" data-mid="204637250" border="0" src="https://freight.cargo.site/w/1000/i/c987c7dd6ad5e04830bd411967704c2fa05acbcc8e1c3fc5be74f2537638948f/FullSizeRender1.jpg" /> Race Art &amp; Survival: Michelada Think Tank &amp; Chats About Change (2015)Race, Art &amp; Survival: Michelada Think Tank &amp; Chats About Change, was a series of conversations and residency addressing institutional racism in the artworld.Are we so busy surviving that we forget to be radical?In the summer of 2015, Chats About Change (Robby Herbst and Elana Mann) organized the Los Angeles Contemporary Exhibitions' (LACE) Project Room with a residency by Michelada Think Tank (MTT), an artist collective organized by Noé Gaytán, Mario Mesquita, Shefali Mistry, and Carol Zou.MTT inhabited the LACE Project Room with a humorous and critical exploration of survival under a framework of institutional racism in the arts. In a series of weekly think tank sessions (held in cultural spaces throughout Los Angeles), MTT brought people together to talk about survival strategies for artists of color working in a predominantly white art world.The knowledge generated in these discussions were compiled and published as a “PoC Survival Guide” in LACE’s Project Room. This guide was a tongue-in-cheek look at how artists are impacted by race. If artists of color can come together as a community to make survival easier, we can then begin to foster more radical artistic practices. MTT held think tanks at sites where communities of color were working; some of the sessions were open forums at LACE, while other sessions took place elsewhere.Race, Art, and Survival – Michelada Think Tank &amp; Chats about Change is a continuation of the Chats About Change series, a project organized by artists Robby Herbst and Elana Mann, which was initiated with a symposium in January of 2015. Chats About Change asks questions, wages debates, and supports artists and activists seeking experimental ways to affect Southern California and beyond. See also:&nbsp;Chats About Change: Critical Conversations on Art and Politics in Los Angeles https://robbyherbst.com/Model-Cities-Citizen-Control Wed, 14 Feb 2024 14:52:53 +0000 Robby Herbst https://robbyherbst.com/Model-Cities-Citizen-Control <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/2182e8b1156852b9586e37b703531a485bdf7340be48bf9cb753f432823a2f37/IBG_9529.jpg" data-mid="204634626" border="0" src="https://freight.cargo.site/w/1000/i/2182e8b1156852b9586e37b703531a485bdf7340be48bf9cb753f432823a2f37/IBG_9529.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/b3326fb0f8f79941dc6ce8f2a57ccc3312b77caaacf35fe8243ee81f0abd4068/IBG_9566.jpg" data-mid="204634623" border="0" src="https://freight.cargo.site/w/1000/i/b3326fb0f8f79941dc6ce8f2a57ccc3312b77caaacf35fe8243ee81f0abd4068/IBG_9566.jpg" /> <img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/c84c2dd98725b1f6aa53f82c7e1024876f0fe8737c22732b9248693a100f1afd/IBG_9558.jpg" data-mid="204634624" border="0" src="https://freight.cargo.site/w/1000/i/c84c2dd98725b1f6aa53f82c7e1024876f0fe8737c22732b9248693a100f1afd/IBG_9558.jpg" /> Model Cities/Citizen Control (2019)Model Cities/Citizen Control was an installation and happening at Automata Arts in Los Angeles by designer Kimberly Varella and artist/ writer Robby Herbst. Using found text and images the installation represents a history of the Great Societies anti-poverty program known as Model Cities (1969 – 1974). The installation reflects on “citizen control” of anti-poverty programs, a goal of Model Cities in its infancy.The Model Cities Programs of LBJ's administration was founded to empower and enrich disenfranchised communities nationwide. It aimed to give direct federal dollars to organize low-income community groups to develop their own community led anti-poverty initiatives. This Great Society Program, which operated between the years 1966 and 1974, grew directly out of the social unrest of the early Civil Rights era.The program was controversial in its day. Criticism from the right held that it created dependency; squashed entrepreneurialism; and radicalize aggrieved communities. Criticism from the left argued that the program underfunded infrastructure changes; didn't address structural racism adequately; and divided communities against one another. Model Cities/Citizen Control presented theses dialogues - and asked viewers to reconsider their welfare imagination.Additionally, Citizen Participation/A Model Cities Happening, took place at Automata. The idea of “participation” was as important to the Model Cities program as it was to the art of the happening developed during the same era. The event played with notions of history, participation, and the legacy of the liberal Model Cities program for our reactionary era. See also: Drawings, Performance/Happenings https://robbyherbst.com/Operation-Manual-for-the-Worlds-Largest-Paper-Spaceship Wed, 14 Feb 2024 16:51:50 +0000 Robby Herbst https://robbyherbst.com/Operation-Manual-for-the-Worlds-Largest-Paper-Spaceship <img width="2531" height="2000" width_o="2531" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1a650ac0df1ce3606baa2d8a70fa2d7d1b4dd01f918754643fd8b07e740cf579/Spacecraft.smaller.jpg" data-mid="204643427" border="0" src="https://freight.cargo.site/w/1000/i/1a650ac0df1ce3606baa2d8a70fa2d7d1b4dd01f918754643fd8b07e740cf579/Spacecraft.smaller.jpg" /> Operation Manual for the Worlds Largest Paper Spaceship (2020)Reading Ours presents The Operational Manual For the Worlds Largest Paper Spaceship - organized by Robby Herbst Saturdays, 12–4pmDecember 14, 21, 2019 and January 4, 11, 18, 2020 Curatorial walkthrough with Robby HerbstSaturday, December 14, 1:30 pm Screening of The WaveSaturday January, 18th at 3:00 pm It’s a 12 x 10 foot poster, as a magazine, distributed as issue #13 of the Deschool Primer in 1974, published by the Zephyros Education Project. It’s as if Mad Magazine met with Peter Max who met the Halprins, who met Dick Higgins, and they all had a conversation with Stewart Brand. A billboard printer printed one hundred copies, and its colors are still vibrant. Trust me, it’s celestial, and I’m not sure it’s meant for the classroom or the art museum. The poster’s central image of a spacecraft is framed by two sets of directions; one describing possible uses for the preposterously sized illustration; the other is twelve imaginative suggestions on how the illustration itself could be used. The Reading Ours exhibition presents Issues #13, and #14, of the Deschool Primer, as well as the Big Rock Candy Mountain anthology (BRMC, 1972). BRMC was a Whole Earth Catalog/Portola Institute project influencing Zephryos. The theme of Deschool Primer #14 was games. It includes a section contributed by the New Games Foundation, and a section of computer games contributed by the People's Computer Company. Zephyros published sixteen issues of the Deschool Primer between 1972 and 1975. It’s best described as a magazine meant for educators (of all stripes) interested in teaching to liberate. It’s strongly representative of the rich Bay Area counter-cultural brew, where humanistic ideology and active counter-power mixed to make interdisciplinary forms aiming to trouble and advance society. Zephyros was affiliated with a collection of highly idiosyncratic Bay Area organizations interested in expanding human knowledge; among them The Whole Earth Catalog, Big Rock Candy Mountain, Farallones Institute, The Peoples Computer Company, Sunflower Source, and the New Games Foundation.The exhibition closes with a VHS screening of The Wave. Based on the story of the Third Wave written by Ron Jones (first appearing in the Whole Earth Review in 1976), The Wave retells the story of a classroom lesson gone awry. True to life, in 1967 Ron Jones was a new high school history teacher in Palo Alto when a students said something like "Nazism couldn't happen here in America". In 1972 Ron Jones is the founder of the Zephyros Education Project and the Deschool Primers. See also: Drawings,&nbsp;Reading Ours https://robbyherbst.com/Reading-Ours Wed, 14 Feb 2024 14:52:09 +0000 Robby Herbst https://robbyherbst.com/Reading-Ours <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/c70bdd721366283b41e1ba5c3db6a4aae10aad4417d93b94e3f9f5bb2ddbf667/IBG_5416.jpg" data-mid="204634545" border="0" src="https://freight.cargo.site/w/1000/i/c70bdd721366283b41e1ba5c3db6a4aae10aad4417d93b94e3f9f5bb2ddbf667/IBG_5416.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/f2637e791932d7490435d5654b7998261875333096d1edbc9893a8d179bd0652/IBG_5342.jpg" data-mid="204634546" border="0" src="https://freight.cargo.site/w/1000/i/f2637e791932d7490435d5654b7998261875333096d1edbc9893a8d179bd0652/IBG_5342.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/128657ca167250f58eb506c57fd85bb5a6490d768d47f057a3378cc80c49577d/IBG_3409.jpg" data-mid="204634551" border="0" src="https://freight.cargo.site/w/1000/i/128657ca167250f58eb506c57fd85bb5a6490d768d47f057a3378cc80c49577d/IBG_3409.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/b0e57a081f3cd197aec26b2958b7089e2dc1bf1a6181455340bab66b53358712/IBG_3419.jpg" data-mid="204634552" border="0" src="https://freight.cargo.site/w/1000/i/b0e57a081f3cd197aec26b2958b7089e2dc1bf1a6181455340bab66b53358712/IBG_3419.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/177df2b20dad3a13616d49cd0bccd9312851fa9e058e4de751dc3dd7534c97f6/IBG_3412.jpg" data-mid="204634556" border="0" src="https://freight.cargo.site/w/1000/i/177df2b20dad3a13616d49cd0bccd9312851fa9e058e4de751dc3dd7534c97f6/IBG_3412.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/a461bec9aa3b1c33742ed59038e3d645f5a26f4919bc4c3739c9aa55ceb7331b/IBG_1290.jpg" data-mid="204634553" border="0" src="https://freight.cargo.site/w/1000/i/a461bec9aa3b1c33742ed59038e3d645f5a26f4919bc4c3739c9aa55ceb7331b/IBG_1290.jpg" /> <img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/6f046127895176cbab740ca912c9fa1da9313b5f83df124ad1ac8b21d41f90cb/IBG_1289.jpg" data-mid="204634555" border="0" src="https://freight.cargo.site/w/1000/i/6f046127895176cbab740ca912c9fa1da9313b5f83df124ad1ac8b21d41f90cb/IBG_1289.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/2846f2c0ce46eb7b7daddb850d5bdedf677e946309f8a56366421672e3644f0f/IBG_0169.jpg" data-mid="204634548" border="0" src="https://freight.cargo.site/w/1000/i/2846f2c0ce46eb7b7daddb850d5bdedf677e946309f8a56366421672e3644f0f/IBG_0169.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/cbd9eb1b604f78285ae98430a78ad2bf917feed7e6080edd85b18745f59abeee/IBG_5718.jpg" data-mid="204634549" border="0" src="https://freight.cargo.site/w/1000/i/cbd9eb1b604f78285ae98430a78ad2bf917feed7e6080edd85b18745f59abeee/IBG_5718.jpg" /> <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/9b8c939825ac0078198d0d0fc1231a88038124701745c1dc0966658d67209da8/IBG_5739.jpg" data-mid="204634550" border="0" src="https://freight.cargo.site/w/1000/i/9b8c939825ac0078198d0d0fc1231a88038124701745c1dc0966658d67209da8/IBG_5739.jpg" /> Reading Ours (2018–2019)Reading Ours is a micro-gallery celebrating the book, published objects, the history of publication, and the reader. It’s a place for big ideas from a small garage in Los Angeles. Reading Ours is interested in an effective object, an issue, a book, a magazine, issues, books, magazines, micro-cultures, subcultures, countercultures, the worlds and networks distribution defines and makes. Exhibtions Hosted: Operation Manual For The World’s Largest Paper Spaceship – Zephyros Learning Exchange and The Whole Earth Educational Network Landfill – Selections From the Social Practice Archive 2011-2014 The Making of Past/Forward – The LA Phil at 100 (organized by Kimberly Varella) Millie Wilson – Errors of Nature (organized by David Evans Franz) Sunny Mirrors, Marc Allen and Emily Joyce Pochette D’Allumette – A Matchbook Collection &nbsp;Zen Anarchist Garage Sale – Sam Gould See also:&nbsp;Operation Manual for the Worlds Largest Paper Spaceship https://robbyherbst.com/Header-1 Wed, 14 Feb 2024 15:28:23 +0000 Robby Herbst https://robbyherbst.com/Header-1 Drawings Works on paper.